1Topic — What situation is this prompt about?
Cover the highlighted instruction with your hand and read only what is left. That is the topic — and it is the part that matters least, which is why most people spend the most time on it.
See the answer for this prompt
museum funding
2Instruction — What am I being told to produce?
The highlighted words, and nothing else. Not the topic, not how many views appear before it. Every decision below follows from this one sentence.
See the answer for this prompt
Discuss both views and give your own opinion.
3Scope — How much room does that instruction leave me?
The exact wording. “To what extent” allows a degree — largely, partly. “Do you agree” does not. “Outweigh” forces a verdict; “advantages and disadvantages” forbids one. One word decides.
See the answer for this prompt
Both views, and a judgement precise enough to defend.
4Your answer — What do I actually think, in one sentence?
Nowhere in the prompt. This is the first row you supply, and if you skip it now you will discover halfway through Body 2 that you never decided.
See one answer that works
Each side is protecting something the other one needs, and my own view is a mixed one: permanent collections should stay free, while temporary exhibitions can reasonably carry a charge.
5Body 1 — What is the strongest reason for that answer?
Also yours. The test is whether it supports the answer above — not whether it is true about the topic. A true statement that does not support your answer belongs in someone else's essay.
See one answer that works
what free entry buys.
6Body 2 — What is the second reason, and is it genuinely different?
Yours as well. If you can rewrite Body 2 using Body 1's sentences, you have one reason written twice, and the examiner will read it as one.
See one answer that works
what fees pay for, and my mixed position.
Rows 1 to 3 are in the prompt: two readers should get the same answer. Rows 4 to 6 are not — they are yours, and two good essays on this prompt can disagree completely.