Where you are
It is Tuesday, August 18, 8:20 p.m. You are in the kitchen. Cris is at the living room table, working. You just finished the call with your aunt.
Escenario 6 · Rol A
Your cousin arrives Thursday
Informal. Eight months sharing this apartment. Breakfast here tomorrow. No boss here. You start. About 9 turns each · 8 minutes.
Your screen only. Don't show it. Don't read from it.
Tu información
It is Tuesday, August 18, 8:20 p.m. You are in the kitchen. Cris is at the living room table, working. You just finished the call with your aunt.
You need a bed for Iván for ten nights, and a plan tonight, before you call your aunt back.
You still have Iván on a bus on Thursday — he already has the ticket — and no plan for that night. You call your aunt tonight with no plan. Tomorrow you have breakfast here, with the same person.
Notas, no frases
| Now | Tuesday, August 18 · 8:20 p.m. |
| Iván | your cousin — your aunt's son — from Cúcuta · bus Thursday the 20th, 4:30 p.m. · ticket bought |
| The nights | ten: Thursday the 20th → Sunday the 30th |
| Friday the 21st | the notary, morning · his mom's papers · the answer: Wednesday the 26th |
| The other days | no plans · out early, back late |
| The mattress | one single mattress at home · place for it: a bedroom floor |
| The apartment | Cabecera · two bedrooms · one couch · one table in the living room |
| Your aunt | her call: tonight |
| Apartment 402 | Nelson · away the 24th–30th · one favor owed, one use only |
| Things left for later | there is a day for them, and Cris knows which |
Palabras para esta situación
| Word | What it is | Here |
|---|---|---|
| a cousin | your aunt's or your uncle's child | Iván — family, and the reason the hostel is an insult |
| a mattress | the flat soft thing you sleep on | your second way out — a bedroom floor, not the couch |
| a ticket | the paper you buy to travel on a bus | already bought — the part of Thursday that nobody can move |
| an aunt | your mother's sister or your father's sister | Iván's mom, and the call you owe tonight |
| an insult | something that makes a person feel small | what a paid bed is in your family — the door you can't take |
| the couch | the long soft seat in the living room | where Iván sleeps in your plan — and the only one in the house |
| the notary | the person who signs and stamps official papers | Friday morning, Iván's real reason — the one word that never leaves this screen |
| to be out all day | to be away from home from morning to night | Iván, from Friday on |
| to owe someone a favor | to have to help someone later because they helped you first | Nelson, apartment 402 |
| to put someone up (put him up) | to let someone sleep in your home for a few days | the ask, in three words |
Ayuda común
Blocks 1 [asks], 2, 3 [receives], 4, 5, 6 (it matters · reason locked), 7 (you can say no too) and 8. The whole box today. unload is theirs: ask for it.
Solo para tu rol
| Purpose | Form | Effect |
|---|---|---|
| a second bed | He can sleep… There's a mattress. · What about…? | you say where he sleeps and you don't decide it |
| asking why | What's wrong with…? · Why not…? | you ask for the reason instead of repeating your idea |
| not a hostel | Not a hostel — not in this family. · He's out all day — he has… | the hostel and the paid room get the same answer · the second one only when they ask |
| owning it | Sorry — I said yes before… | you name what you did, once, and you move on |
| parking it | Let's leave [what] for… | you park one thing on a day, instead of losing it |
| stopping to get the date | Wait — when? | you stop and you get the date before you answer |
| the call to your aunt | I have to call… tonight. · So: he's coming on…, and he's sleeping…, right? | your real deadline, and then the message she gets |
| the news itself | He's coming on… · He's going to sleep… | a plan that doesn't move, and then the hard part with nothing added |
Cuándo terminar
Each of you says three things out loud. Six in total. Nobody says the other person's three lines.
Dani's screen · your three: where Iván sleeps on Thursday the 20th, and who sleeps where that night · the second bed, and that nobody pays for it · the message for the aunt, out loud, in front of Cris.
Cris's screen · your three: from what time to what time the living room is yours on Monday the 24th · the lease, and the day it has to carry the two names · what you did not decide today, and when you talk about it — Sunday the 23rd, in the kitchen, after lunch.
Together, once: Cris says yes to the aunt's message, or changes one word in it. If Cris changes one word, the two of you agreed on different things.
Four rules:
Together either.Six lines, or it isn't closed. The easy one to forget is the third one. Skip it and the conversation just stops. It doesn't end.
Después de hablar
Para repasar
Las dos noticias del escenario son planes cerrados con pasaje comprado: "He's coming on…" y "My mom is arriving on…", que es además la frase que la carta obliga a retirar. Y es el tiempo del mensaje que A tiene que decirle a la tía en el cierre: "So: he's coming on…, and he's sleeping…, right?".
La condición que desbloquea el acuerdo: "If…, I'm OK with it".
Solo hay un will escrito, y es el que cierra la franja de la mañana: "I'll finish at eleven". El de la firma no está escrito en ninguna ficha: sale solo en cuanto alguien le pone fecha al papel.
Lo que se reparte no es dinero, es un número de noches y una franja de horas: "How many nights?", y la respuesta —diez— contra "the whole morning".
Nadie cierra la puerta y todos ponen lo suyo con el mismo but: "I'm not saying no, but…".
La mala noticia se da en futuro planeado, y eso es lo que la hace sonar a hecho consumado: "He's going to sleep…"; y la pregunta que la desmonta: "What's he going to do all day?".
La segunda salida de Dani se ofrece con there is, y por eso suena a inventario y no a exigencia: "He can sleep… There's a mattress".
El reparto se dice con on/at: "He's coming on…", "at nine in the morning". Nunca con by de tiempo, que no está en el registro. (from…to, before y until se usan como léxico: el tema no los cubre.)
Frenar al otro a mitad de una noticia es un imperativo, y aquí ocurre tres veces: "Wait — when?", "Let's leave [what] for…", y los dos de la caja del nivel ("Hold on.", "Let me say that again.").
Dani propone dónde duerme y Cris pide otra salida: "He can sleep…", "Can we do it another way?".
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