Where you are
It is Tuesday, August 18, 8:20 p.m. You are working at the living room table, laptop open. Dani just got off the phone and walked into the kitchen.
Escenario 6 · Rol B
Monday morning is yours
Informal. Eight months sharing this apartment. Breakfast here tomorrow. No boss here. They start. About 9 turns each · 8 minutes.
Your screen only. Don't show it. Don't read from it.
Tu información
It is Tuesday, August 18, 8:20 p.m. You are working at the living room table, laptop open. Dani just got off the phone and walked into the kitchen.
You want the whole morning of Monday the 24th at that table, and you want Dani to sign the lease before September 1.
On Monday the 24th Dani has the living room and your video call is gone. Nobody signs before September 1, and you both spend two weeks looking for another apartment.
Notas, no frases
| Now | Tuesday, August 18 · 8:20 p.m. |
| Your interview | Monday the 24th, 9:00 a.m. · one hour · video call · the final one · quiet in the room from 8:00, out at 11:00 |
| The living room | one table · the only good light and good signal · a room again before 7:00 a.m. — mattress up, blankets away in the closet |
| The apartment | two bedrooms · one couch |
| The mattress | one single mattress at home · place for it: a bedroom floor |
| Iván | Dani's cousin, from Cúcuta · never met |
| Your mom | arriving Saturday the 29th, staying the weekend · ticket bought · her bed on other visits: the couch |
| The lease | you both sign, before September 1 |
| If nobody signs | two weeks to find another apartment, the two of you |
| Sunday the 23rd | kitchen, after lunch · the day for the things you did not decide today |
Palabras para esta situación
| Word | What it is | Here |
|---|---|---|
| a hostel | a cheap place to sleep, in a room with other people | the obvious cheap idea — to ask about, never to assume |
| a video call | a call where the two people see each other on a screen | one hour on Monday — why the table, and not your room · only if they ask |
| an interview | a meeting where a company asks you questions for a job | Monday the 24th at nine, the final one — the hour you are protecting |
| quiet | with no noise around you | what that room has to be from 8:00 — a whole hour before the call |
| the lease | the paper that says you can live in this apartment | your third thing, and the last one you bring out |
| the signal | how well the phone or the wifi works in one place | good at the table, weak by your window — one of the three reasons, and only if they ask |
| to be out all day | to be away from home from morning to night | their words, not yours — reception, and the cue you have to catch |
| to drop | (about the wifi) to stop for a moment and then come back | your reason — not the first thing you give |
| to sign | to write your name on a paper to say yes to it | the exact thing you need from them |
| to unload | to take boxes out of a truck | nine in the morning, under that window |
Ayuda común
Blocks 2, 3 [receives], 4 [jargon] — lease, drop, unload are yours, not theirs — 5, 6, 7 [grants], 8. Block 1 is not yours today: they start, so you never open. Block 6: only for the living room, until they ask.
Solo para tu rol
| Purpose | Form | Effect |
|---|---|---|
| a third door | Can we do it another way? | you say no to the plan and not to the visit |
| booking the table | I need the living room on…, from… to… · I'll finish at… | you book your hours with a day and two times, and you close them with the last one |
| granting it | If…, I'll say yes. | a yes with a day and an hour inside it |
| leaving something for later | Let's leave [what] for… | you park one thing on a day, instead of losing it |
| saying yes to the cousin | I'm not saying no, but… | you say yes to the cousin and you put your own thing in the same sentence |
| taking it back | That's not true anymore. | you break a fact you put on the table yourself |
| the name on the lease | My mom is arriving on… · And one more thing: the lease, before… | the second ask, as a closed plan with a date on it |
| the reason, if they ask | The wifi drops next to… | why the living room and not your room — all of it |
| what you still don't know | How many nights? · What's he going to do all day? | first the number, then the fact that decides your Monday |
Cuándo terminar
Each of you says three things out loud. Six in total. Nobody says the other person's three lines.
Dani's screen · your three: where Iván sleeps on Thursday the 20th, and who sleeps where that night · the second bed, and that nobody pays for it · the message for the aunt, out loud, in front of Cris.
Cris's screen · your three: from what time to what time the living room is yours on Monday the 24th · the lease, and the day it has to carry the two names · what you did not decide today, and when you talk about it — Sunday the 23rd, in the kitchen, after lunch.
Together, once: Cris says yes to the aunt's message, or changes one word in it. If Cris changes one word, the two of you agreed on different things.
Four rules:
Together either.Six lines, or it isn't closed. The easy one to forget is the third one. Skip it and the conversation just stops. It doesn't end.
Después de hablar
Para repasar
Las dos noticias del escenario son planes cerrados con pasaje comprado: "He's coming on…" y "My mom is arriving on…", que es además la frase que la carta obliga a retirar. Y es el tiempo del mensaje que A tiene que decirle a la tía en el cierre: "So: he's coming on…, and he's sleeping…, right?".
La condición que desbloquea el acuerdo: "If…, I'm OK with it".
Solo hay un will escrito, y es el que cierra la franja de la mañana: "I'll finish at eleven". El de la firma no está escrito en ninguna ficha: sale solo en cuanto alguien le pone fecha al papel.
Lo que se reparte no es dinero, es un número de noches y una franja de horas: "How many nights?", y la respuesta —diez— contra "the whole morning".
Nadie cierra la puerta y todos ponen lo suyo con el mismo but: "I'm not saying no, but…".
La mala noticia se da en futuro planeado, y eso es lo que la hace sonar a hecho consumado: "He's going to sleep…"; y la pregunta que la desmonta: "What's he going to do all day?".
La segunda salida de Dani se ofrece con there is, y por eso suena a inventario y no a exigencia: "He can sleep… There's a mattress".
El reparto se dice con on/at: "He's coming on…", "at nine in the morning". Nunca con by de tiempo, que no está en el registro. (from…to, before y until se usan como léxico: el tema no los cubre.)
Frenar al otro a mitad de una noticia es un imperativo, y aquí ocurre tres veces: "Wait — when?", "Let's leave [what] for…", y los dos de la caja del nivel ("Hold on.", "Let me say that again.").
Dani propone dónde duerme y Cris pide otra salida: "He can sleep…", "Can we do it another way?".
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